Thursday, September 18, 2014 Elul 23, 5774

Michael Elkin

Features Editor
... but it's just the beginning for Patrick Marber as he closes in on a jaded Jewish agent
Notes on a scoundrel ... A roguish writer and raconteur, having been Oscar-nominated for his "Notes on a Scandal" screenplay this year, Patrick Marber has, in creating Howard Katz, as catastrophic a self-collapsing cur as seen on stage in recent years. Marber has taken the job of self-inflicted innocent away from Job and given it to a Jewishly jaded agent...
Nathaniel-Leon-Oscar: Three-Part Harmony on Film?
Aleft-handed compliment need not be a two-fisted slap in the face. Just ask Leon Fleisher, the classically trained class act of a music man whose body of work has been limited to left-hand scores for so long due to an enduring war with dystonia. It is a neurological battle he has nerve enough to win; as Fleisher has keyed in...
As the world goes Oscar wild on Sunday night with babel over "Babel" and parting shots at "The Departed," Shemi Zarhin can revel in his own pursuit of happiness. Gone Hollywood? Gone Israel! After all, the talent from Tiberias watched as his latest directorial effort, "Aviva My Love," was welcomed lovingly by audiences with the equivalent of three Israeli Oscars...
Philly guys pen a paean to agents uncovering a traitor in their midst
Giving "Breach" birth may be the breakout hit Philadelphia filmmakers Adam Mazer and William Rotko have been looking for -- and deserve. The true-life thriller chiller about the spy who came in from the Cold War and poked the federal officials in its FBeye by turning turncoat -- doing irrevocable harm by selling off top state secrets to the Soviets...
You go, girl -- and while you're at it, why not fix the faucet? "Be Jane" is bedazzling -- an online community of female home-improvement fans who once thought the term was only a TV series about tool guy Tim Taylor. Timid, they're not. Now, they're serious about fixer-uppers and downloading information in areas that stereotypically were men's, including fixing...


Michael Elkin has worked as the Exponent Arts & Entertainment and Features editors for some 40 years.

He has won some 40 national and regional writing awards over his career as well as three fellowships in playwriting and screenwriting from the Pennsylvania Council on the Arts.

His arts articles — including working as a jazz critic for the Evening and Sunday Bulletin; book reviewer for the Philadelphia Inquirer; and rock reviewer/TV writer for the Camden Courier-Post  — and op-eds have appeared throughout North America; his plays have been staged internationally, including runs in Romania — one play running for  five years —  Israel, Germany, Los Angeles and, locally, the Walnut Street Theatre and People's Light and Theatre Company. He is a  Tony Award voter and is a member of a national new play selection committee handing out an annual award to an  up-and-coming playwright.

He worked as a mentor with the Philadelphia Young Playwrights' outreach program to area high schools and at one point headed up the playwriting program at the Walnut Street Theatre School.  His play "Cries in the Night" was cited in the book "The Best Plays of 1992-93," in the "New Plays From Around the Country" category. His travel articles have appeared nationally and he has worked as a travel editor for Fodor's Travel Guides.

As a screenwriter, he  was asked by filmmaker John Frankenheimer ("Birdman of Alcatraz," "The Manchurian Candidate"), with whom he then worked,  to write a script for Frankenheimer to direct.

He has moderated and taken part in national conferences both here and in New York on topics ranging from hip-hop/rap to theater to comedy and has served as a board member of film and theater arts groups.

Elkin has appeared on area TV and radio shows and served as arts critic for the cable program "Our Town." He has been cited in reference books for his investigative work on TV as an influential social medium. For his expertise in film and theater, Elkin was asked to — and did — serve as on-screen interviewer of actor Richard Dreyfuss in a documentary about the American Music Theater Festival, with which Dreyfuss was involved.

A graduate of Temple University — he also studied screenwriting at New York University and attended the University of Houston Bates School of Law — Elkin was honored to be Temple's commencement speaker in the mid-90s. He also taught journalism at Temple as well as screenwriting at La Salle University.



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